直径：10cm
Diameter: 10cm
我国铜镜起源于齐家文化，从商周、春秋到战国，历代工匠努力探索，反复实践，历经近2000年历史，才掌握了适合铸镜的合金配比和高超的铸镜技术，出现了中国铜镜史上的第一个高峰。此时，铜镜使用仍然是身份和地位的象征，非寻常人可以拥有。在商周时期，铜镜用作宗教祭祀的礼器，其祭天礼地的功能，远远重于其生活照容的功能。到春秋战国时期，铜镜数量远超之前的历史时期，出现了弦纹、叶脉纹、几何纹、羽状纹、山字形纹、连弧纹、动物纹等，个别还出现了彩绘和错金银的工艺。西汉晚期及新莽时期，开始盛行昭明镜、日光镜，纪年铜镜也开始出现。东汉中期以后，铜镜的纹饰题材和表现技法有了较大的变化，形象各异的神兽、禽兽、龙虎、车马人物画像等题材成为铜镜的主题纹饰。隋唐时期的铜镜浪漫优雅，一改两汉时期奇异的神仙灵怪，取而代之的则是具有写实风格的狮子、海兽、天鹿、麒麟、天马、凤凰、青鸾和葡萄、荷花等。宋代铜镜与汉唐相比，发生明显变化，胎壁趋向轻薄，更加注重实用，形状仍以圆形为主，保留方形、弧形、菱花形等各种形状。明代，铜镜制作进入衰退期，这时的铜镜制作粗糙，较多只有纪年铭文而无纹饰。
China's bronze mirrors originated from the Qijia culture. From the Shang and Zhou dynasties, the spring and Autumn period to the Warring States period, craftsmen of all dynasties made great efforts to explore and repeatedly practice. After nearly 2000 years of history, they mastered the alloy ratio and superb casting technology suitable for casting mirrors, and reached the first peak in the history of China's bronze mirrors. At this time, the use of bronze mirrors is still a symbol of identity and status, which can be owned by unusual people. In the Shang and Zhou dynasties, bronze mirrors were used as ritual utensils for religious sacrifices, and their functions of offering sacrifices to heaven and earth were far more important than their functions of living. By the spring and Autumn period and the Warring States period, the number of bronze mirrors was far more than that of the previous historical period, with string pattern, leaf vein pattern, geometric pattern, feather pattern, mountain pattern, continuous arc pattern, animal pattern and so on. In some cases, there were color painting and gold and silver inlaying techniques. In the late Western Han Dynasty and Xinmang period, Zhaoming mirror, helioscope and bronze mirror began to appear. After the middle of the Eastern Han Dynasty, the decorative themes and performance techniques of bronze mirrors have changed greatly. The images of animals, animals, dragons and tigers, chariots and horses have become the theme of decorative patterns of bronze mirrors. The bronze mirrors of Sui and Tang Dynasties are romantic and elegant. Instead of the strange gods and monsters of the Han Dynasty, they are replaced by the realistic style of lions, sea animals, Tianlu, Qilin, Tianma, Fenghuang, qingluan, grapes and lotus. Compared with Han and Tang Dynasties, the bronze mirrors in Song Dynasty had obvious changes. The fetal wall tended to be light and thin, and more attention was paid to practical use. The shapes of the bronze mirrors in Song Dynasty were mainly round, while the shapes of square, arc and water chestnut were retained. In the Ming Dynasty, the manufacture of bronze mirrors entered a period of decline. At that time, the manufacture of bronze mirrors was rough, with only chronological inscriptions but no ornamentation.
此神兽纹葵口镜，镜面微微凸起，通体呈青禄黑色，形成黑漆古，包浆自然，背面中心铸有兽钮和雕塑花卉纹及神兽鸟等纹饰，其造型周正，铸造工艺精细， 品相极佳。整体纹饰层次感丰富，充满张力。品相完好，具有一定的收藏价值！
The mirror is slightly convex, and the whole body is green and black, forming an ancient black lacquer with natural coating. In the center of the back, there are animal buttons, sculpture flower patterns and God animal bird patterns. Its modeling is neat, the casting process is fine, and the appearance is excellent. The overall decoration is rich in layers and full of tension. Good appearance, with a certain collection value!
此艺术品由湖南博睿雅文化艺术品有限公司进行推荐，可议价交易，鉴于艺术品行业的特殊性，买家在提取物品时，必须当场清点验收，若对此艺术品存疑，客户可在购买7日内提供相关证明并且在物品进行交割离开公司前进行退换，物品一经提取离开公司后，本公司概不负责，不再支持退换，本公司仅提供此艺术品后期的再推荐服务。
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This artwork is recommended by Hunan Boreeart cultural art Co., Ltd. and can be traded through negotiation. In view of the particularity of the art industry, the buyer must check and accept the items on the spot when picking them up. If there is any doubt about this artwork, the customer can provide relevant proof within 7 days after purchasing it and return it before delivery and leaving the company, The company is not responsible, no longer support the return, the company only provides this art later recommender service.
Hotline: 15347318609
Public account: boree_ Art
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